Friday, 20 April 2018

Crochet Inspired Cabochon Jewellery

Lately, I've been feeling a little left out of the latest campaigns on discussing how crochet has been great for mental health. Don't get me wrong, it is fantastic to focus the mind, help with quitting smoking for example, and help with recovering from an illness, but for me, well, my story is a little different. 

As a designer, and prolific pattern sharer, either on YouTube or my website, I sadly can't remember when I last crocheted something and wasn't stressing about writing the pattern down, what colour combos work best and if a design will work, and that's even before I've started getting the camera out lol! And I definitely can't remember the last time I crocheted from someone else's pattern and did something just for me. It's almost like I can't anymore as a little voice inside me says, "just design your own!" Sounds terrible I know, and on occasions crochet has become quite overwhelming and I have to actually take a break from crochet for the sake of my mental health!

But all is not lost as I have a lot of other creative interests that I refuse to let become anything other than hobbies. Something I can keep to myself and at my pace, and that is really important for staying sane. When a hobby becomes a job, it is no longer enjoyable and you need to keep that balance. So to keep that balance with crochet I often take a break from time to time (I even travel without a hook... deliberately sometimes!!) and try maybe some embroidery (you can follow my embroidery art journey here), or my other passion, jewellery making. So today I thought I would share with you how to make Cabochon Jewellery with a crochet theme. I hope you enjoy and feel inspired! 

You will need; (all these items are available on Amazon)
- A picture of your choice; either designed on paper or cut from pretty paper
- Pendant tray
- Matching glass cabochon to fit pendant tray
- Mod Podge sealant glue (or similar)
- Rubbing alcohol or some kind of solvent cleaner (I actually used a CPU cleaner being a geek)
- Large hole punch, preferable the same size as your cabochon (mine was 1" in diameter)
- An old brush you don't care about
- Kitchen roll or tissue
- Glue gun (optional)
- Scissors
- Strap or chain for necklace

Step 1 - Design/cut your image
You can use pretty paper if you like. Mollie Makes magazines are good for this as each issue often has designer papers for your various craft projects, but you can also use wrapping paper or even dried flowers. Just make sure that whatever you use isn't too thick. Once you have your chosen design (I designed my own), cut it out either using scissors or much easily by using a large 1" hole punch. Note* A clever way of making sure you see what your punching out is to hold the image and hole punch upside down before punching. That way you can line it up perfectly!

Step 2 - Clean
Once you have your image, put on your gloves and clean your cabochon glass bead with some alcohol solvent cleaner. This will remove any dirt or smudges, like fingerprints, from the flat edge, which you don't want appearing on your final necklace. Just dab a few drops onto some kitchen roll or tissue and wipe as necessary. Leave to dry. 

Use parental help if young as you don't want to get solvent cleaner on your skin or in your eyes.

Step 3 - Seal your image
Now you want to stick your chosen image or flowers to your cabochon glass bead. The best product for this is definitely Mod Podge as it works as a glue and sealer at the same time, and the best way to do this is to place a large drop in the middle of your picture, then stick the cabochon on top. When you do this it will spread out the glue to the edges naturally as you push down, leaving no brush marks! Wipe off any excess gently with your brush or a tissue and move your image around as needed. Leave to dry.
Once dry add extra Mod Podge around the edge to seal and secure in your paper to your cabochon. You want to avoid any moisture creeping in and damaging your paper. 

Then add a layer or two of Mod Podge to the back of your image, sealing in your image totally. 

Allow to dry in-between coats. It should take about 10 minutes or so to dry. Try not to add too much at once as it may soak the paper.

Step 4 - Attaching
For attaching your final cabochon image to your pendant tray you can either;

1. Add a drop of hot glue to the centre of your pendant case and very quickly push your finished cabochon into the casing. 

The glue will spread out as you press down, but you must do this very quickly otherwise the glue will dry too quickly and the cabochon won't fit.

Or 2. You can add a layer of Mod Podge to the interior or your pendant case along the bottom and around the inside edge and then push your cabochon inside. 

Either option works fine as the cabochon should sit inside your pendant case even without glue, so it is only to secure it in place in case it falls out. 

I prefer the second option with the Mod Podge because as you push your cabochon inside it will squeeze out a little Mod Podge around the edge sealing it in further against moisture. 

Wipe off any excess glue from either method and leave to dry. Any excess glue should scrape or peel off easily when dry.

And now you're finished! Add a chain or strap of your choice and enjoy. 

I hope you enjoyed this quick photo tutorial. 

Please do share your cabochon creations, or any of your HappyBerry creations with me on either Facebook or Instagram! I love to see what you create! And remember, stay happy, keep smiling and most of all, keep enjoying what you do!

This article is NOT sponsored by Mod Podge, Mollie Makes or the weird CPU stuff I used.

Wednesday, 4 April 2018

Craft and Yarn Stores in Japan

As of March 2018!

If you've been following me on Instagram you will hopefully have been following my crafty escapades in Japan throughout March! and hearing all about the lovely craft stores I managed to visit in Tokyo, Kamakura and Nagoya.

It's been a couple of years since I've been back to Japan and a few things have changed. Sadly one of my favourite stores in Shinjuku has closed called Yuzawaya, which used to be in the Takashimaya department store just up for the main JR train station, it was a huge store, but the company itself continues and I managed to visit one of their stores in Nagoya. There is apparently one in Kichijoji too above the station, but I didn't get time to go back there and find out sadly. That said, there is a Tokyo Hands store in the Takashimaya department store in Shinjuku, which has a very tiny craft section. I wouldn't go out of your way to visit here though, unless you want to pick up some stationary, paper crafts or games, as the selection was very small and was limited to various findings and tools really. It did have a very good leather tool section though.

So as of March 2018, these are the stores I visited in Japan! I hope you find this information useful if you too plan a visit to Japan. So let's start with...

Yuzawaya store in Nagoya
栄スカイル6F (Japanese)
Instagram: @yuzawaya_hobby
Great for: Yarn, Books, Fabric, Buttons and more

I only had a few days in Nagoya so sadly I only had time to visit this store before heading back to Tokyo, but it was a lovely little store and has everything you need. This store is only a small store as part of a larger department store called the Skyle Shopping Centre, it is just a short walk North East of the Nagoya Science Museum if you plan to visit there. The store is on the 6th floor and has everything from fabric to buttons, trimmings and craft books. It also had some discounted fabrics here in various sizes and I managed to pick up some cute Rilakkuma and Sumikko Gurashi quilted fabrics here! They also had a good selection of Applemints crochet books. There are however lots of Yuzawaya stores throughout Japan and Tokyo too so it is worth checking their map on their website to find out where their other stores are located.

Kamakura Kyu Q in Kamakura 

神奈川県 鎌倉市 御成町 2-16 (Japanese)
Instagram: @kamakuraqq
Great for: Hand-dyed Yarns, Buttons and Workshops

I actually found this adorable little store by chance as I was walking south to the beach through the old part of this pretty seaside town famous for its giant Buddha statue. Run by a lovely lady, all their yarn is hand-dyed locally in Kamakura, with "the climate, temperature, humidity, all giving a slightly different texture to the shade." Since following them on Instagram I've also discovered that they hold various workshops throughout the year on an irregular basis that are for all levels who want to hone their skills. Definitely worth a visit if you're planning a beach trip!

Avril in Kichijoji, Tokyo
2-34-10 Kichijoji Hon-cho, Musashino-shi, TOKYO 180-0004 (Japanese/English)
Instagram: @avril_kichijoji
Great for: Yarn, Ribbons, Trimmings and Workshops

I absolutely adored this shop. I specifically wanted to visit this store because I had heard some great reviews about their yarns and I was not disappointed. Just a short walk from the main JR train station, this store could easily be forgotten as it it down a quiet back street away from the hustle and bustle, but it is worth investigating. From floor to ceiling this little yarn store is filled with speciality yarns

from cottons to silks, to bamboo to hemp, in large reels. Just pick up a reel and ask for how much you need and the lovely staff there will spin it up for you there and then into balls. They also sell the most exquisite trimmings and ribbons, as well as small kits if you can't carry too much or want a gift (for yourself of course!). They also run regular workshops in knitting, weaving and felting. I couldn't choose what to buy! I was in there for a while. Avril actually have a few stores throughout Japan, so if you can't make it to Tokyo you can also find stores in Kyoto and Osaka.

Kichijoji is also home to a lot of other yarn and crafty stores so do take the time to investigate and look around, and up!

Tomato in Nippori, Tokyo (Fabric Town)
6 Chome-44-6 Higashinippori, Arakawa, Tokyo 116-0014 (Japanese)
Instagram: Unknown
Great for: Fabric and lots of it!

Where to begin with this store and fabric town in general. Again, just a short walk East from the main Nippori metro station in Tokyo this store is one of many in this area, which is often referred to as Fabric Town or Textile Town as the whole street is given up to fabric stores of varying degrees. Tomato is probably the largest fabric store here, and is actually made up of a few stores on either side of the road. I went into two of their stores, but the one of the north side of the road (or left if coming from the station) was bigger and better, and also had a lot of fabric on sale! The store was very busy, and sadly I didn't find anything interesting enough in the 100 yen sale bins, (yes 100 yen a metre!! that's about 70p or 90 cents!), but I did find some adorable cute onigiri panda fabric for only 250 yen a metre. I also picked up some beautiful blossom floral fabric. If you plan to buy a lot then come early and grab a small cart as you will have to carry the rolls to the counter for cutting. They pass it back with a sticker and you pay to the side. Also make sure you pay on each level. I could have spent a fortune in here, but it was just too busy. It is very popular!

Okadaya in Shinjuku, Tokyo
新宿区新宿3-23-17 (Japanese)
Instagram: @okadayashinjuku_concierge
Great for: Yarn, Buttons, Fabric and Books

Okadaya is one of my favourite stores to visit as they are always so friendly in there and is just a short walk north of the train station at Shinjuku. This store is actually made up of two stores, the smaller side store to the right is for fabric and the main bigger building has everything else really. When you first go in it looks more like a cosplay make-up store, but if you head upstairs to the different floors you will find everything from yarn to buttons, to ribbons to books. They have a great selection of knitting and crocheting books on the 5th floor. It's a small store otherwise, just over lots of levels, but it is packed with crafts. It has a button for every occasion and every size! I picked up some blossom buttons as it was blossom season of course, and a couple of crochet books. I could have bought more for sure, but I had to be strong! You will also find some familiar yarn brands here, as well as Japanese yarns.

So that is it for now, this list is certainly not exhaustive by any means as Tokyo and Japan has a lot of yarn, fabric and craft stores all over. I think it is wonderful haven for the crafting enthusiast whether you're into sewing, knitting or crocheting, leather making, paper crafts, needle felting or even pom pom making. You will definitely find an abundance of stores all over Japan, but I hope this gives you a head start if you're planning a crafty trip to Tokyo and Japan in general sometime soon. Happy crafting!

Wednesday, 7 February 2018

Value your time and skills as a designer blogger

This post is probably a bit of a rant, but I wanted to put my thoughts together on this subject to try and bring about change in the way that freelance designers, and bloggers get taken advantage of. If you are just starting out it may be worth reading this as what glitters, may not always be gold, and if an offer seems too good to be true, then most likely it probably is!

So what is this post all about, well, many people these days dream about having a huge social media following and yes I love my followers and love being a crochet designer. I feel super blessed to be able to be a freelance designer in crochet and knitwear, especially after slogging away for the first twenty years of my life working for other people and being treated usually pretty badly (don't get me started on being female in the office place), but in some way I think my experiences have made me wise to the incessant sale pitches of companies today, and the way they take advantage of designers.

Having worked throughout London and the West Midlands for various design and marketing agencies since the age of nineteen, I pretty much learnt how to be a designer on the job since leaving Art & Design college back in the day. I never went to University because even back then I was put off by the huge debts incurred, but I was lucky. Instead I landed a position in the Internet design world, just as the Internet was taking off. In those days you couldn't even study web design at University as it just didn't exist as a course (can you imagine such a thing! no social media??), so everything I learnt about web design and coding was pretty much self-taught by me in the first three years of my first job. Those early days too found that being a girl actually worked to my advantage in getting jobs because the majority of web designers in those days were guys, and coders at that, with very little design experience, even in London. The first job I got in London I got just because I was the most enthusiastic (which was lucky because my CV wasn't that amazing) and because I was female, and that was a novelty. Of course yes, slightly sexist reason to hire someone and to fill a quota but hey, it got me a well paid job in the capital so I didn't complain. A few years later though I did discover that one job I took I was paid significantly less than the guy who was hire at the same time, for the same job, which made me question all my other positions in my career.

So over the years I grew despondent for the design industry I was working in, especially as a woman. Even when I was hired for a senior position I was undermined by men in the workplace. I'll never forget one afternoon when my line manager was out, and I was told to always keep an eye on the junior designers when he was unavailable, so that day I asked one of them how they were getting on with a certain project because they were mucking about throwing stuff around the office. I was never one for confrontation so I was gentle in my approach, but he promptly looked at me and told me to "f*ck off and mind my own business". 

It wasn't all bad, I was always a bit of a tomboy anyway and mucked in with the best of them (I also met some great guys who were very professional, I even married one of them!). Even with the numerous sexist comments I have received over the years it never really bothered me. It was part of my career life, something I had to put up with, but I had reached a point in my life when I just couldn't put up with it anymore, having my dress sense questioned because I didn't wear a skirt or heels, being called a silly little girl whenever I dared to question something and the endless innuendo and laddish behavior. I guess I grew up, they didn't, and they were older than me!

So I left the industry. I was fed up of people taking advantage of my skills, paying me very little, being undermined and being treating like this. There was also never any prospect of advancement in the company, (these positions were always filled by men usually from outside the company). I never worked under a female IT boss, or even a line manager. All the women I was lucky enough to work with only ever worked in administration, HR or at best as content managers. It was a pretty lonely workplace as a woman, and it was hard to make real friends. Even on lunch breaks my male colleagues would subconsciously not invite me to the pub for a drink just because I was a girl.

When I became a Mum I didn't want to go back to work. It was hard enough as it was without becoming a Mum too. Could you imagine? I remember one time I actually said in an interview once in my younger days that I had no interest in having children, just to get a job! I was that paranoid. So I decided to start my own business. (and yes, I did get the job, make of that what you will).

In the early days of HappyBerry I never planned to make any money from it, which is probably why it did so well as I gave everything I did away for free. I was busy just being a Mum. I did and still do sell a few prizes patterns in various places, but my main aim was just to enjoy designing for the first time in my life. I put my web designs skills to good use and built a website of my own and things went from there. The YouTube channel was actually never planned. I originally only started a YouTube channel to visually show someone how to do something in one of my patterns because I was struggling to explain it, but then people asked for more so I did more. 400,000+ subscribers later, I'm still visually sharing my designs and I love being able to help and inspire other crafters out there. I can't even imagine how many people can now crochet because of those videos. It is truly amazing.

What I love the most though is having that direct contact with everyone out there, inspiring people, especially women and hopefully changing lives maybe through mini enterprises, or helping those recovering from illness. Whoever they are, it is so much more rewarding than being cooped up in a very uninspiring grey office (with no windows at one time in my career) and working for someone else, usually just to make them rich and they take the credit for their employees hard work.

So what gets my goat now? Companies trying to once again take advantage to better their own businesses and make themselves rich on the back of other designers. Don't get me wrong, it feels fantastic to be approach with business opportunities, and I welcome them, and many people starting out as a freelance designer would surely welcome them too and perhaps even be excited at being noticed, but I have often found from my experiences that these supposedly amazing opportunities (they always say that = *warning bells*) pay ridiculously low, often less than minimum wage for a lot of work that is extremely demanding on your time. I'm not sure what their strategy is when approaching freelance designers, but I often wonder if it's on the assumption that the designer or blogger will have no business acumen and will be sold on just the delight of being approached, but be warned and don't be a fool. Don't sell your expertise and time for so little. If something seems to good to be true, too exciting and is massively over sold to you with terms like "fantastic business opportunity" "we really love what you do (but never explain what you do)" but most of all NEVER say what they are asking of you in their first email and are vague in their approach. There will be an element of privacy on their part yes, but someone who truly values your time will understand that they need to explain in their first email what they require of you and what they want you to help them with. They shouldn't ask you to call them, because who has time for that?! If they don't have time for you in that first email, I think that says a lot about any forthcoming relationship. YOU will be the one doing all the running.

So I would be extremely hesitant in responding. If they have explained to you what they want in that first contact just take your time to understand what it will mean for you, how much of your time will be taken up by them and work out what your time means to you in cost and calculate what that works out by hour. Some of the supposedly amazing opportunities I've been sent would often pay less than the coffee shop down the road is currently hiring waitresses at! Also be wary that sales people will try and sell an idea to you and totally polish your ego at first, but come accepting that opportunity, often change their tone and become increasingly more demanding on your time, especially after any first payments have been sent to you. They own you now!! I jest lol.

My advice as a freelance designer is simply to focus on what you enjoy doing and working up your own business. If people approach you then great, but don't rely on these people to make you who you are. You can do that by yourself and through collaborations with other freelance designers or social media bloggers. Never sell yourself short and value your time.

You went freelance for a reason.